There was a time when DSLR was the only word one uttered when professional high-level photography was discussed. But the key issue with DSLR is always its noisy and complex mirror mechanism, which adds unnecessary bulk to the camera. Now this is where the mirrorless cameras comes in, which we also call a compact system camera.
A mirrorless camera do retain the big sensors and interchangeable lenses of a DSLR, but drop the mirror to cut down on size and weight to build a simpler camera. In fact, there are still pros and cons to both designs. If you want to find out more, read this: Mirrorless vs DSLR cameras: 10 key differences.
Some mirrorless cameras have a compact, rectangular body, some are styled like DSLRs with a 'pentaprism' on the top – though this houses an electronic viewfinder rather than the optical viewfinder you get with a DSLR.
No two photographers are exactly the same – we're all looking for slightly different things, so we've ranked the 10 best mirrorless cameras you can buy right now based not just on specs, handling and performance, but size, simplicity and value for money too.
With the Alpha A7R III, Sony has taken one of our favorite mirrorless cameras and bolstered the performance to make it one of the most complete and versatile cameras available today. With a brilliant full-frame 42.2MP sensor that's supported by and advanced AF system and 10fps burst shooting, you no longer have to sacrifice performance for resolution or vice versa. This is a camera that would be equally at home perched on a mountain as in a studio or on the sidelines of a football match.
Read our in-depth Sony Alpha A7R III review
Fujifilm's update to the X-T1 may look similar at first glance, but there have been some big improvements and perhaps the biggest of all is the autofocus system. It's a huge leap forward compared with the system found in the X-T1, with AF tracking of moving subjects now much more precise and swift, while the level of sophistication and customisation is impressive too. Add in 8 frames per second burst shooting, a clever double-hinged rear display, bright EVF, Fuji's excellent 24.3MP X Trans III CMOS sensor and plenty of body mounted controls that's all wrapped-up in a tactile body, and you're left with a brilliant camera.
Read our in-depth Fujifilm X-T2 review
Sony A9 comes with AF/AE tracking calculation up to 60 fps. It also features large and bright EVF that provides “blackout-free” shooting at 20fps. With a resolution of 24.2 MP, the camera targets at the wildlife and sports photographers.
Sony recently launched its A9 digital camera in India. The camera is equipped with world’s first 35mm full-frame stacked CMOS sensor. The sensor allows 20 times faster data processing as compared to Sony’s older version of full-frame mirrorless cameras.
Read the full review: Sony A9
The OM-D E-M10 Mark III might not be a massive leap forward over the Mark II, with much of the camera's specification remaining the same. However, Olympus has refined and tweaked one of our favorite mirrorless cameras to make it an even more tempting proposition for new users and enthusiasts alike. Some will criticise the smaller Micro Four Thirds sensor format (roughly half the area of APS-C) but the effect on image quality is minor and it means that the lenses are as compact and lightweight as the camera itself. Sporting a 5-axis image stabilization system, decent electronic viewfinder, an impressive 8.6fps burst shooting speed and 4K video, it's no toy – the E-M10 Mark III is a properly powerful camera.
Read our in-depth Olympus OM-D E-M10 Mark III review
Like the look of the X-T2 at the top of our list, but don't quite want to shell out that much for it? Fuji has the answer in the shape of the X-T20, which manages to distill many of the key features of the X-T2 including the excellent 24.3MP sensor and advanced AF system, but into a slightly more compact and affordable camera. The X-T20 feels very similar to its bigger brother in terms of build quality, while the tactile controls and polished handling make it a very satisfying camera to shoot with. The X-T20 will certainly hit the sweet spot for many photographers.
Read our in-depth Fujifilm X-T20 review
The Lumix GH5 is the latest in the line of Panasonic's top-of-the-range GH series of mirrorless cameras, which over the years have carved out a niche for themselves among videographers thanks to their breadth of movie-making features. It's certainly one of the best 4K camera solutions out there, if not the best, before you start considering dedicated professional video cameras, and that video capability is backed up by a great set of features for the stills photographer.
Read the full review: Panasonic Lumix GH5
You don't have to go full-frame to get the benefit of Sony's great camera technology and this APS-C format model makes a great choice for enthusiasts looking for an alternative to big, heavy DSLR. One of the challenges for CSC manufacturers has been to make their autofocus systems as good as the ones in DSLRs. The A6500's comes very close, especially in bright light; it's able to track moving subjects around the frame and as they move towards or away from the camera. There's also an excellent electronic viewfinder that makes it easy to see when the subject is sharp and correctly exposed. Image quality is very high and there's built-in Wi-Fi and NFC connectivity to allow to share images via a connected smartphone.
Read our in-depth Sony Alpha A6500 review
While the design follows that of the original film Pen-F camera from the 1960s, that's pretty much where any similarities stop, with this modern-day Pen-F featuring Olympus's latest 20MP Micro Four Thirds sensor. Unlike previous Pen models we've seen which rely solely on the rear screen for composition unless you want to invest in an optional attachable electronic viewfinder, the Pen-F incorporates a high-quality OLED EVF integrated into the body with with a resolution of 2.36m dots. There's also an advanced 5-axis image stabilisation system built in to combat camera shake, while no Olympus CSC could be complete without a selection of Art Filters - the Pen-F has 28 to choose from. Offering plenty of customisation and a host of clever features, there's also built-in Wi-Fi connectivity to boot.
Read the full review: Olympus Pen-F
With the GX80 (known at the GX85 in the US), Panasonic's taken the well-liked GX8 and streamlined some of the features to end-up with an appealing alternative that's more competitively priced. Despite sacrificing the clever tilting EVF, resolution is actually improved on the fixed EVF on the GX80, and while it also forgoes the 20.3MP Micro Four Thirds sensor and replaced by the older 16MP chip, the AA filter has been removed for sharper images. The GX80 also comes with 4K video capture, with the ability to capture 8MP stills from recorded footage - it's like a ultra-fast 30fps burst mode). Handling could be a bit more polished, but AF is fast and accurate, compact body and lens combination, very effective in-body anti-shake control and 4K video make this a very well-rounded camera.
Read the full review: Panasonic Lumix GX80 / GX85
With 24 million pixels the A7 may not be able to able to capture quite the same amount of detail as its high resolution sibling, the A7R II, but as it has the same sized sensor you get the same level of control over depth of field. That means you can make your sharp subject stand out from a blurred background, while the level of detail is excellent. This second-generation model benefits from a number of improvements, including 5-axis image stabilisation, an all-magnesium body and a wide selection of supported video formats.
Read the full review: Sony Alpha A7 II
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