When you start working with off-camera lighting, whether it involves speedlights or something larger and more powerful, the next step will be figuring out which light modifiers work best for you. Direct light without a modifier can be very harsh and it likely isn’t going to produce the kind of look you’re after. There are so many different light modifiers out there and each of them offers a distinct set of advantages and disadvantages. In the video below, photographer Manny Ortiz breaks down three different commonly-used light...
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keskiviikko 19. syyskuuta 2018
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